“That one was about airport security” said Jeff Williams as the band juddered to a halt. A spooky, stuttering swing had built to a frenzy, with Phil Robson’s guitar blurting zig-zagging runs in a wildly distorted synth voice whilst Williams lashed his drums. Airport Security; it all made sense. This quintet’s off-beat vibe reflect the oddities in everyday life that provide inspiration for the drummer leader’s compositions. There’s no shouting, just a quiet intensity that draws the listener in before wrongfooting with a swerve or surprise burst of energy. Williams is all colour and nudging, no spelling out the obvious. The caress of his sticks makes the kit an orchestra. On Hermeto, named for the Brazilian composer, a rattle of the cymbal doubles the rhythm of the melody whilst a tap on the tom ghosts the guitar’s accompanying stabs and Sam Lasserson’s propulsive bass figure gets a helping prod from a click on the snare. Wonky bossas, twisted calypsos, loose limbed swing; Williams’ writing, all sidelong glances at familiar forms gives this band plenty to work on. Josh Arcoleo’s tenor nods at absent from this year’s festival, Sonny Rollins, in fullness of tone and inventive routes through angular harmony. Finn Peters, switching between alto and flute, repeatedly pulled out fiery impassioned solos. Williams left the stage for ‘Lament’, a hold your breath, haunting hymn in memory of a gone too soon friend; he returned to Arcoleo taking the tune out with long notes and hoarse cries on tenor and whipped up a storm on the drums. Not so much a crescendo as a howl of anguish. A treasure of a group, a gem of a gig.
Jeff Williams, Green Note, Camden, London Jazz Festival, Wednesday 20th November