With Easter and chocolate binges behind us, a scan of the live gig menu over the next couple months reveals a simple message; you won’t need to go far in Bristol and Bath to catch some outstanding jazz and music inspired by jazz. There’s the obvious draw of two festivals in May (Cheltenham on the first bank holiday weekend and Bath around the second) of which more in a moment, but it would be a travesty not to notice the quality of what’s on offer week by week at regular sessions. Wade Edwards for example has excelled himself for the spring/ summer season at the fortnightly on a Thursday session at St. James’ Wine Vaults. The booker and occupier of the bass chair in the house trio has secured as a guest on the 16th April fabulous Bristol based Tenor Sax man, Jake McMurchie (Get The Blessing, Michelson Morley) and then the unique Bristol treasure vocalist Tammy Payne on the 30th April. Through May and June the house band will go into overdrive with a Hall of Fame series of guests from the British straight-ahead jazz scene. Don Weller, now in his 70s famously depped for Mike Brecker in Gil Evans Orchestra in the 80s and comes to the Vaults on 14th May. Dave Newton, winner of Best Pianist in the British Jazz awards on multiple occasions takes the piano chair for a trio session on the 28th and then in June, guitar legend Jim Mullen returns with vocalist Zoe Francis. Regular sessions in Bristol have comparable depth. Fringe Jazz, now firmly established on Wednesday at The Mall in Clifton, continues with regular appearances from Andy Sheppard who seems to be in the creative overdrive at the moment. The Fringe Jazz sessions feature him in variety of line-ups but the Pushy Doctors are regulars (27th May for instance) and hook-ups with Birmingham based phenomenon on trumpet and bass Percy Pursglove are always worth catching (15th April). In between there’s a great variety, Michelson Morley Jake McMurchie’s looping, live elctronica meets jazz improv (now) quartet featuring guitarist Dan Messore is there on 6th May. Check out the Thursday sessions at Future Inn, an increasingly varied and interesting programme featuring plenty of visitors as well as local bands. Pianist John Law is there on April 30th with a quartet playing material from his new album. Friday’s see the longrunning BeBop Club continue with a first class programme. And there are plenty of occasional treats. The Lantern at Colston Hall plays host to Polar Bear on 23rd April and Bill Laurence of Snarky Puppy on 28th May. Keep your eyes peeled for shows by The Bristol Composers Collective. Their ‘Scratch and Sniff’ Orchestra has started popping up trying out new material by the local scene’s most adventurous spirits. The next one is on Monday 13th April at The Fringe in Clifton Village. And what of those festivals? Cheltenham Jazz Festival has evolved into a multi layered affair on the first bank holiday in May. You can catch Van Morrison, Rumer, Wilko Johnson of Dr Feelgood fame, Martha Reeves and the Vandellas and the Average White Band no less. Another strand sees Sun Ra Akestra, Joe Lovano with his Afrobeat project, Dave Douglas and Lee Konitz Quintet, John Scofield with rising star German pianist Pablo Held‘s Trio. Yet another sees a more contemporary European flavoured programme mainly at the Parabola Theatre starting with Phronesis, ending with the sublime Julian Arguelle’s Septet and touching a lot of bases in between. With talks, films, jam sessions, a big Sinatra celebration and a Gershwin one too with the inevitable presence of Gregory Porter and Claire Teal too, it would be hard not indulge most aspects of a musical personality at this cover the bases, full immersion now five day festival. Bath Festival is showing signs of recovering its mojo. After a few years of mysteriously thin programmes and now loss of long term Arts Council funding (no doubt funding struggles and consequent competing priorities were all part of the challenge) the festival has worked with Serious to come up with a lean series of gigs that offer something distinctive for the ten day festival at the end of May. Serious’ specialisms in folk and world as well as adventurous jazz is evident. A two piano gig with Jason Rebello and Gwilym Simcock rounds off Rebello’s year long association with Wiltshire Music Centre. A strong improv thread sees Orphy Robinson’s Black Top making an appearance and American pianist/ iconoclast Matthew Shipp in duo with bass player Matthew Bisio. By way of total contrast, American exponents of hot jazz, The Hot Sardines put in an appearance early in the festival and there are uncategorisable collaborations with Mike Westbrook bringing his Westbrook Blake to St. Mary’s Bathwick joined by Bath Camerata choir whilst Will Gregory (of Goldfrapp) and drummer Tony Orrell renew an old association and perform an accompaniment to old silent film He Who Gets Slapped. The wildly, divergently creative duo will surely conjure up something magical. The whole festival will come to a carnival like end with Hugh Masekela.