June has involved a fair bit of listening and in particular two reviews for London Jazz. The first was a set of five albums from Keith Jarrett, his first five as leader and released fetchingly in little card board sleeves with the original artwork. My review for London Jazz is here . It’s remarkable how familiar it sounds. You’d have to say the quality both of recording and delivery is a bit patchy, if only by the now established benchmark of ‘genius’ and the high-water mark of some of his astounding recordings. They are great listening nevertheless and the characteristic blend of jazz with blues, rock and country threads its way through along with some astonishing free-for-all improvisations, especially with the later quartet album. The other gem I’ve been listening to is Indigo Kid‘s second album Fist Full of Notes. Dan Messore has been touring the material with various line-ups and touched down in Bristol late last year, but the album is only now officially released on Babel. What a treat it is. My review is here. There is something of the same open-minded attitude to all styles of music here as Jarrett displays in those early recordings ( I don’t think its just the effect of listening to them back to back!). There’s no direct read across, but perhaps something about Jarret’s approach and use of the cadences and melody from rock and country in a jazz context, has found its way into language of jazz. Wherever it comes from, Messore makes it his own and brings plenty of contemporary references to bear with subtle but pervasive use of electronics and effects. It’s a great follow up and development from the first album three years ago now. More please!!