I’m not sure how Tony Clark got away with it. As he led the whoops and cheers at the end of another great evening in the cellar beneath St. James, the resident DJ and compère for the Jazz at the Vaults sessions assayed a wisecrack about the guest soloist, suggesting he was improving with age like a vintage wine. Roger Beaujolais, who must surely have fielded a few dreadful jokes about his name in his time, let it go and didn’t appear to notice or mind the reference to his age. Perhaps it was the warmth of the reception from the packed cellar or maybe Tony’s winning grin, either way he wielded the mallets one last time and led the band through Yesterdays (the standard) to finish only the second ever gig with a vibes player in Jazz at the Vaults’ now nine year history. That encore summed up the evening. The slight wow in the chiming sound of the vibes contrasting with percussive chords from Vyv Hope Scott before the mallets became a blur as Beaujolais swang like a demon, stretching and buffetting the shape of the old standard with a blistering solo. He spurred Vyv on to produce another volcanic solo, possibly his most adventurous of the night as his characteristic bluesey workouts morphed into more abstract tumults of notes. It was a fiery end to a great evening that had taken in plenty of standards as well as some of the guest’s originals, all delivered with the same energy. The House rhythm section were on form as ever and Trevor Davies was called on to bounce fours, eights and drum solos off the band on several occasions, Beaujolais nodding his approval at his invention and grooves that always seem to manage to hint at the tune or structure of the piece. Success is breeding success at the moment for the Wine Vaults with this gig ending the season on high before they restart in September with returning legend Art Themen. There’s a full programme booked for the Autumn to launch the tenth year including, so its rumoured, another Brit Jazz luminary, Henry Lowther.