A chill in the air, the scent of rain, about right for August then. Ian Storrer had contrived to make the upper room at the Hen and Chicken feel like a velvet clad cave, complete with a blinking string of lights in the tunnel between stairs and seats. It was an appealing Sunday evening setting for the trio comprising the never predictable, always compelling Sam Crockatt on saxophones, quietly, arrestingly, propulsive and melodic Riaan Vosloo on bass and the restlessly inventive Dave Smith on drums. They served up two tasty sets, taking a winding path through folk songs, a handful of originals and diverse mixture of tunes from the pens of Dave Holland, Gil Evans via Wayne Shorter, David/ Hoffman/ Livingston via Disney and Ornette Coleman.
The snaking theme of Dave Holland’s Four Winds kicked things off followed by a moody, introspective take on the folk song Fair Phoebe and the Dark Eyed Sailor, Crockatt evoking a ghostly ships horn to set the scene. All The Things You Are’s famous theme was sketched and turned inside out, before gaining a hurtling momentum. Grandfather Clock had a delightful drum introduction replete with ‘tick-tock’s’, setting up a lilting groove. Crockatt’s delivery evoked a whiff of Sonny Rollins as dancing riffs and fluid runs ramped the energy up. Crockatt’s own Stroll on the Knoll closed the set with with a snappy energy.
The second set continue in the same eclectic vein, but no matter what the material, there was a musical and melodic understanding that seemed to bind the three together. Drum solos had a melodic shape to them, sax solos a rhythmic energy and distilled economy of phrase, Vosloo was complementing and commenting as much as anchoring.
All of these three are sought over sidemen and leaders in their own right. The trio is a meeting of equal. Their choice of material, fearless playing and instinctive, bred-through- long-familiarity understanding, make them a winning combination.
In between life, playing and listening to live music, there have been a few CD reviews for London Jazz News. What a treat that is, both the familiar and the fresh popping through the letter box (or occasionally into Dropbox). Here’s a round up of the recent crop (not all in March I hasten to add) a trio of quartets and a legend.
The New York Standards Quartet don’t just play standards. They reinvent, twist and stretch them – with love. Power of Ten marks ten years of the partnership of the core three Dave Berkman, Tim Armacost and Gene Jackson. The quartet is completed by Whirlwind boss Michael Janisch for this typically exuberant and addictive outing. My review for is here. Another Quartet, this time led by Loop Collective tenor-man Sam Crockatt had an all Brit
cast playing a crop of his lovingly crafted compositions on Mells Bells. It’s a mouth watering band with Kit Downes, James Maddren and Oli Hayhurst given the space to stretch out. Crockatt’s by turns muscular and tenderly lyrical approach mark this set out as an early 2016 highlight for me. The review is here. The band are on tour in April. Check Sam’s Website to see if you can make one of the gigs (you really should!). Maestro Charles Lloyd is unmistakable in any context he appears. I find him irresistible. His second outing on Blue Note since his return to the label last year, I Long To See You finds him and his regular band in the company of Bill Frisell, pedal steel guitarist Greg Leisz and with guest appearances from Willie Nelson and Norah Jones no less. You’d be right to expect more than a tinge of country. There’s plenty to relish and quintessential Lloyd atmospherics – review here. Danish pianist Søren Gemmer’s release Lark completes the trio of quartets , albeit expanded for some tracks with guest Mads La Cour on trumpet – whose release Almuji last year kept finding its way back into my playlists. The review of Lark is here. Angular, sometimes astringent, arresting nordic jazz.
Is cause and effect operating here? Is the opportunity to guest with a house trio at a long standing jazz gig, playing to appreciative audiences in the ‘could-have-been-designed-for- the- purpose’ cellar bar beneath St. James, behind the migration of increasing numbers of top flight musicians to this part of the west country? Possibly a little fanciful. A programme that included Iain Ballamy, Dave Newton, Jason Rebello would look pretty strong for a club anywhere. Lucky Bath that they are all locally resident and have appeared since January (or soon will – Jason is next up on July 9th). That’s not to mention the steady supply of locally sourced talent and out of town visitors. This week it was the turn of fairly recently arrived to the area Sam Crockatt, member of London based Loop Collective and sporting an impressive CV despite his relative youth.
A couple of phrases, reeled off as the band dug into Secret Love, was enough to hear just why he attracts admiring comments and turns of the head wherever he plays. There’s a fullness of tone and easy fluency of phrase that instantly conjures up the great tradition of tenor players from Sonny Rollins through Dexter Gordon and Joe Henderson. But there’s a distinctive contemporary edge as well. A propulsive kick from the snare of JazzHouse trio’s drummer Trevor Davies and Crockatt was off, burning through the standard’s harmony with a deceptively relaxed ease, but rhythmically inventive and with a blistering sense of groove. The repertoire nodded towards classics and heroes with Softly as the Morning Sunrise, East of the Sun, Dexter Gordan’s Soy Califa, Henderson’s Recordame and some classic Ellington, Isfahan and riotous A Train. The playing was uncliched and full of fire. The regular trio, as ever, were a great foil. Returning for the evening, the original house pianist, John Paul Gard showed us why he is in constant demand. He’s able to colour and float over the music as well as dig in behind soloists and formed a tight knit unit with bassist Wade Edwards and drummer Davies. Crockatt, is popping up all over the local area in various ensembles and any that include him should come highly recommended on this showing.