Michelson Morley are approaching the end of a tour playing music from the just released, tour de force Strange Courage and played a home-town launch gig last night, before heading up to London for a launch at the Vortex tonight. What a treat is in store for that London audience.
The recording Strange Courage is, whilst audibly from the same stable as the excellent debut release Aether Drift (reviewed here), an even more powerful and compelling experience. It’s a cocktail of effects; atmospheres concocted in the moment with electronics; quietly looping motifs; thumping, distorted, headsplitting riffs; jaunty melodic themes with a jagged edge. Leader and composer Jake McMurchie‘s sax is at the centre of the action . The original trio is now augmented by guitarist Dan Messore, joining Will Harris on bass and drummer Mark Whitlam. He brings another dimension, thickening the sound with textures and effects as well echoing and countering melodies and unleashing occasional crunching chords. If the album is an assured, gripping group performance, the live show is an even more pulsating ride.
The music seemed to seep up through the stage at the start of the set as eerie effects, clatters and howls emerged, apparently un-related to the conventional sounds expected from the instruments on the stage. Tamer as Prey offered plaintive melodic hooks that distorted and changed shape over the an insistent throb. Ammageddon nodded to its mis-spelt name in the churning rocky riff before the The Last Of Me Will Wait set up an attractive little groove and McMurchie’s warm tenor sound ebbed and flowed. They dissolved into more ghostly washes as a prelude for the catchy looping bass riff of There Are No Perfect Waves, a delicate phrase then alternated with another crunching power riff and blistering solos. It was a dramatic, exciting performance enhanced by evocative visuals provided by Cornwall based film maker Jo Mayes, always another turn or twist around the corner. They played out to whooping applause with the rocker Rice Rage.
The first, shorter set was by the peer-less Eyebrow. McMurchie acknowledged the inspiration of the approach of the duo of Pete Judge and Paul Wigens , their sparse, looping and layered improvisations are as riveting conjured live as on CD. Wigens place was ably filled at the last minute by Mark Whitlam due to illness but they still evoked the magic of the recent release Garden City to the delight of the audience filling the Wardrobe Theatre’s fabulous new home.
The two sets were a celebration of some of the more creative and imaginative music that has been brewing gently in Bristol over recent years and now, happily getting wider recognition.